Ealing Library (and more of my back pages)

Ealing's Libraries seem to be under an existential threat (as do others throughout the UK) - this matters, much as Education has become a marketplace about training for jobs, the nature of the debate over their purpose seems to have moved from the original concept (or at least the idea that i was accustomed to). 

I'm not too sure how old I was when I got my first Public library card - but it was in Chelmsford and I'd be less than 10 - I remember going downstairs there and reading the newspapers (The Sun was broadsheet and had a Batman Strip).

Smaller premises now

When we moved to Braintree (I was 10)  I became a member there and started reading adult books, I discovered amongst others Auberon Waugh and John Wain and also developed an interest in books about cars.

At University I spent time in the library often looking at books with little connection to my course (architecture had some fine volumes).

When I moved to London I joined the Ealing library (it's where the Pitzhanger Gallery now is) - I've ranged widely across volumes and subjects there too, when I was out of the country (about 4 and a half years)  I didn't visit libraries so much apart from the one at Hong Kong University which I used  when I was studying for my MA.

Ealing's library moved to the Broadway Centre and I used it (as well as the one at the local university) when I studied for more further education - I was aware of many (much younger) students studying there too.

The main branch has now moved to  smaller premises next door  (and as a result been closed for several months) -

So fast forward (as they say) and now Ealing is now stepping back from the provision of Library services - this is not what should happen, of course the service should change and become more up to date.

And Pitzhanger Gallery.

As I mentioned the local Museum and Gallery was for quite a while a library, it's been closed for a couple of years and has now been refurbished reflecting its place as John Soane's 'Country residence' and being a place for contemporary Art.

The refurbished Gallery/Museum

I visited a couple of weeks back with a friend , the Sir John Soane side of things is a bit disappointing (when compared to his house in town) but the gallery exhibition was good -I like Anish Kapoor and the reflective nature  of the work on show is great. (it's on until 16th August)

Nev reflects 

Anish work 

Good News (and some more catch up)

Fantastic to learn that the threat over Northfields Allotment (London's Oldest) has gone away (at least for the time being).

An asset  (AVC) say the council 

The Council recognise the site as an Asset of Community Value (ACV) and local politician (including Rupa Huq MP)  have given their support.

The Charity that manages the site has had a rethink (and a change in it's leadership) - we've been luck to have some great campaigners and have a victory for now..



London's RA 

Asign

At the end of February I spent some time at the RA, main reason to go was to see work by Phyllida Barlow - I've been quite taken by her work at Tate Modern and Tate Britain- to be honest I wasn't knocked out by the work shown at the RA (not sure if it was how the work was shown?)


I noticed that many of the visitors focused on how the work had been moved and assembled - this doesn't feel like a great comment.

A big piece 

I did though notice plenty of other good stuff while I was there like this 'Anatomical Crucifixion of  James Legg'  by the important sculptor  Thomas Banks RA (1801).

Crucifixion by  Thomas Banks

I'm Back (#2 Wallace Collection)

Artefacts adorn 

The CityLit course of 100 Paintings  has been running along nicely and it was rather a pleasure to have time art galleries other than The National Gallery (which is of course great).

The Devonshire Arms

Walking along to Manchester Square (where the collection is) saw an old drinking haunt - somethings don't change!


The  Wallace collection is rather super and includes great art from Rembrandt as well as Canaletto  (perhaps not that unusual, below a Painting of Venice ) - some of the delight comes from the nature of the setting which features Furniture and other artefacts too.

Venice: the Bacino di San Marco from San Giorgio Maggiore 

I also was pleased to see another of the rightly acclaimed   Dutch Golden Age artist  Jan Steens's works 'Celebrating the birth' - The painting is  full of life and humour.

I'm back #1 (and will be at the V&A)

It's good to reflect on activity, I'm not sure if the reason I've been neglecting this is because I've been doing things.

So I will try sand catch up on a few things (and return to more regular updates).

Here is some of the stuff ..

Christian Dior is currently a big draw

V&A

Having done quite a few months volunteering at The Museum of Brands I've take the opportunity to be a  Visitor Experience Volunteer - the induction process so far has been a good one and this week I will undertake orientation.

Amazing that the collection is something in excess of 2 million items.


One of the most fascinating rooms features is the room that features copies a key way for many, unable to travel to 'experience ' works.

A Copy of Raphael's School of Athens is a high point