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A demanding exhibition |
I think in hindsight that for some exhibition visitors the idea of spending time at a viewing of 25 years of British Conceptual Art might be an ask to far (a perhaps
useful link) - but I really enjoyed my visit, sure there's something bordering on pretension there (and even in using the terms) still a cliché that fits is 'Fortune favours the Brave' - and the exhibition was a continuation of the education I'm seeking in how we can answer What is Art?
This visit was really enhanced by having another person to bounce off and make sure I was not just coasting but engaging and trying to consider the themes.
John (for it was he) was pleased by works that raised a smile for me some of the items on show were familiar (Like godfather of YBAs
Ian Craig Martin's Oak Tree) but set against the point of no photography (why?) I was encouraged that we could take part of the show with us (
Roelof Louw's seminal work, Pyramid of Oranges.)
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Should I put in on Ebay? |
What I get often from such well curated shows is names and ideas to find out more on - here it was often about how philosophy and art became intertwined but also for the end of the period (late 70's) how art re-engaged and addressed some political and sociological issues.
One of many things I didn't know was how important Ealing was in this particular genre of art at this particular time- (and Coventry too).
Names that I brought out to consider include:
Stephen Willats influential and productive at an early age (Ex - Ealing College).
Working in Photography - The late
Keith Arnatt
Victor Bugin - who re-appropriated much from advertising.
I think my favourite work was that of
Braco Dimitrijevic who made an ironic (as far as I'm concerned) piece called
'The Casual Passer-By I Met at ...'
I was also pleased to see many of the
Richard Long works that were being shown.
(about the landscape and walking).
As a footnote items that addressed how people lived which were on show have perhaps a connection with this year's
Turner prize winner-Assemble.
If you've got a companion who'll indulge you do go along to work out what this and conceptual art is about (
and then let me know).
{The Shepherd's pie was nice too}
Red 186
And also at Tate Britain some dancing (with a red touch)
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perhaps not strictly.. |